The author, joined in conversation by Michael Wood, discusses his new book "Far Calls: On Omens, Slips, & Epiphanies."
About the book (from the publisher):
When words are not heard but overheard, when phrases are perceived in bits and pieces, and when speakers, failing to do as they intend, state things that they never meant to say, the saying, in its unsteady relation to understanding, becomes an event. That event has long been studied by a disparate company of interpreters: prophets, priests, and rabbis, poets and philosophers, linguists, psychiatrists and psychoanalysts, novelists and filmmakers. All have suggested that in the contingencies of discourse, there are precious indications to be gleaned, for which special techniques are required. In "Far Calls," Daniel Heller-Roazen reconstructs such arts of detection, interweaving ancient, medieval, and modern examples. From the rituals of the ancient Greeks, Jews, and Romans to Freud and Lacan, from Augustine’s catching of a salvific scrap of speech to the inspiration that Breton and Yeats, Proust and Joyce, drew from profane cries and transmissions, "Far Calls" explores the powers of sonorous coincidence and the varieties of reading that it incites.
In Conversation:
Daniel Heller-Roazen is the Arthur W. Marks ’19 Professor of Comparative Literature at Princeton University. His is the author, most recently, of "Absentees: On Variously Missing Persons;" "No One’s Ways: An Essay on Infinite Naming," "Dark Tongues: The Art of Rogues and Riddlers" and "The Fifth Hammer: Pythagoras and the Disharmony of the World."
Michael Wood is professor emeritus of Comparative Literature at Princeton University and the author of many books, including "Yeats and Violence," "Alfred Hitchcock: The Man Who Knew Too Much" and "The Magician's Doubts: Nabokov and the Risks of Fiction" (Princeton). He is a regular contributor to the New York Review of Books and the London Review of Books.
Presented in partnership with Labyrinth Books and Princeton University Press and with support from the National Endowment for the Humanities: Any views, findings, conclusions or recommendations expressed in this programming do not necessarily represent those of the National Endowment for the Humanities.
